Once upon a time, during a long ago (but certainly not forgotten) era, a horror film's radio trailer would feature the chilling voice-over of a male commentator, whom, after presenting a teaser synopsis for the slasher film's plot (over intimations of both sound and speech from the movie of course), would conclude the radio spot with the following words: 'Coming soon to a theater near you.' And, 'Rated R. Under 17 not admitted without a parent.' (Laughs) ... Those classic horror film radio trailers used to scare the weebie-jeebies out of me! But boy, did I love them wholeheartedly. (P...Read More
_Halloween's_ a classic movie. No doubt about it. One of the seminal films of the slasher genre, and a more-than-worthy inclusion to any Halloween season horror movie marathon. But I think people give it a reputation in terms of quality that it doesn't fully deserve. The opening ten minutes, and the closing ten minutes, are both **brilliant**. But everything in between? It's kind of... Somehow, both boring and annoying. The kills are good if that's your sort of thing, but everything in the meat of _Halloween_ is old hat. Now of course it wasn't at the time, but when I've spent my formative yea...Read More
_**The Boogeyman cometh**_ A soulless killer, Michael Myers, escapes from the asylum and returns to the Illinois town where he murdered his sister 15 years earlier to wreak havoc on Halloween night. Donald Pleasence is on hand as Myers’ seriously concerned doctor. John Carpenter’s “Halloween” (1978) is hailed as the progenitor and blueprint for the slasher craze of the 80s with staples like the unstoppable masked killer, fake scares, the final girl and the undead dead. Of course, “Halloween” was influenced by earlier slashers or quasi-slashers, like “Psycho” (1960), “De...Read More
It really doesn't look like Illinois does it? Sorry, just had to say that, it's where I'm from and all... ...but still, leaves on the ground and green leaves in the trees. Not at all Illinois, probably because it was a low budget film, but it works. It gives it a very, I don't know, Nightmare on Elm Street surreal feel? And I think, if memory serves this is the start of the virgins survive sex is punished horror-slasher staple. Anyway, it's one of my oldest and dearest friends favorite slasher films and I can see why. It is most atmospheric. It is the one that has the most paranoid an...Read More
Two successful, beautiful women compete for status by involving a handsome student. Will they succeed in their games and seduction?
Maximillian, the lone survivor of a race of vampires, comes to Brooklyn in search of a way to live past the next full moon. His ticket to survival is Rita, a NYPD detective who doesn't know she's half vampire -- and Maximillian will do whatever's necessary to put her under his spell.
The hidden memoir of an elderly woman confined to a mental hospital reveals the history of her passionate yet tortured life, and of the religious and political upheavals in Ireland during the 1920s and 30s.
After a botched assassination attempt, the mismatched duo finds themselves in Paris, struggling to retrieve a precious list of names, as the murderous crime syndicate's henchmen try their best to stop them. Once more, Lee and Carter must fight their way through dangerous gangsters; however, this time, the past has come back to haunt Lee. Will the boys get the job done once and for all?
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
A hopelessly estranged father catfishes his son in an attempt to reconnect.
Rhode Island State Trooper Charlie Baileygates has a multiple personality disorder. One personality is crazy and aggressive, while the other is more friendly and laid back. Both of these personalities fall in love with the same woman named Irene after Charlie loses his medication.
In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?
