A group of kids must protect their vacation home from invading aliens.
They are in their thirties but live just as they did in their twenties. They are in love with love but, in their search, they tear each other apart, wandering from ex-girlfriend to ex-girlfriend, from relationship to relationship.
The Grissom Gang is a remake of the notorious 1949 British melodrama No Orchids For Miss Blandish. Kim Darby plays a 1920s-era debutante who is kidnapped and held for ransom. Her captors are the Grissoms, a family comprised of sadists and morons, and headed by Ma Barker clone Irene Dailey. One of the Grissoms, played by Scott Wilson, takes a liking to his prisoner, which results in a bloody breakdown of the family unit. Both The Grissom Gang and the original No Orchids For Miss Blandish were inspired by the best-seller by James Hadley Chase, though neither film retains Chase's original ending.
After an inspiring chance encounter with his idol, rookie journalist Jay Bahadur uproots his life and moves to Somalia looking for the story of a lifetime. Hooking up with a local fixer, he attempts to get embedded with the local Somali pirates, only to quickly find himself in over his head.
Artem is 35 years old. He’s a psychologist, he uses this provocative methodology successfully until one of his clients commits suicide. The one who Artem tried to heal from a suicidal mood by taking him to the roof and telling him that suicide was the right course of action. Artem is condemned to 8 years of colony, the psycholo- gist’s license is taken away, his wife Dasha (32) leaves him, his friends turn their backs on him. With the help of his best friend, Artem gets out of jail. All he is looking for is justice. He believes in his method and wants to prove that it’s actually working and the blame of the patient’s death is not on him. Each episode is a sep- arate case, Artem is brilliantly solving other people seemingly im- possible problems. But will he be able to save himself?
After the elevators at a New York City skyscraper begin inexplicably malfunctioning, putting its passengers at risk, mechanic Mark Newman and reporter Jennifer Evans begin separate investigations. Newman gets resistance from superiors at his company, which manufactured the elevator, while additional elevator incidents cause several gruesome deaths. The police get involved and suspect that terrorists are responsible, but a far stranger explanation looms.
When a cop's partner is killed in the line of duty, he assumed guardianship of his orphaned children while investigating the murder.
An effervescent musical about one of the most unlikely couples seen on screen: two Otaku intent on hiding their nerdiness from their colleagues!
