This film is a series of letters, photos and video cassettes which women often send in to certain newspapers. By visualizing their story-telling (the name given by the psychologists to their fantasies) the film portrays the confessions, the secret longings, the adventures, recollections, dreams, desires and fantasies of these women. It is an open secret that most women dream of forbidden affairs, secret lovers and hasty encounters but when it comes down to it they lack the courage to pursue their dreams.
China’s booming animation industry has reached us. The film in question is Shuo Feng — Po Zhen Zi, an action epic directed by Zheng Wu and based on an internet novel by A Nu. From what we understand, the film is set in the eighth century, during China’s Tang dynasty. The story draws inspiration from real historical battles, which pitted Chinese forces against the Islamic Abbasid Caliphate and Tibetan Empire in Central Asia. Watch the hyper-kinetic, elaborately composited trailer below:
With their most formidable foe vanquished, Inuyasha and his comrades begin returning to their everyday lives. But their peace is fleeting as another adversary emerges: Kaguya, the self-proclaimed princess from the Moon of Legend, hatches a plot to plunge the world into an eternal night of the full moon. Inuyasha, Kagome, Miroku, Sango and Shippou must reunite to confront the new menace.
Crown Prince Yi Gak finds that he has been transported from the Chosun Dynasty to modern-day Seoul. He meets Hong Se Na, who bears a striking resemblance to his dead wife, and is determined to solve the 300-year-old mystery of her death. With his own resemblance to the CEO’s grandson at the company where Se Na works, Gak assumes the identity of the young man to stay close to her. Can the Crown Prince navigate a modern corporation to find clues to his own time period?
Three generations of the same family deal with the consequences of unleashing the forces of hell.
Sydney Fox is a professor and globe-trotting "relic hunter" who looks for ancient artifacts to return to museums and/or the descendants of the original owner. She is aided by her linguistic assistant Nigel and occasionally by her somewhat air-headed secretary Claudia. She often ends up battling rival hunters seeking out artifacts for the money.
